Juelz Santana -"Oh Yes"

[ffej]

This is his "Oh Boy" maybes it's only because they both hav "Oh" in it, but this is hot. It's so much better than "There It Go"

[RandallN]

mms://66.186.0.101/allaccess/juelohye.wma

[Grenade]

I love this.

[Be Real]

This boy cannot rap for nothin. But his beats are always on point. He messes them all up. What a shame. This ish is terrible.

[ffej]

Goes for adds the 17th.

[tozion]

This is so catchy, it annoys the hell out of me.

[Grenade]

This is such a JAM! I hope it's huge as "There It Go (The Whistle Song)"

[ffej]

This song samples the classic "Please mr. Postman", by The Marvelettes, In case anyone didn't know/ wanted to hear the song.

[francky]

It's hot but i don't like his flow.

[duh5]

The beat is catchy, but I agree, he cannot rap.

[tozion]

Pitchfork gave it 2.5/5 stars.

Walk with me: Led by Gladys Horton's patient pleads, the Marvelettes' "Please Mr. Postman" is released in summer 1961 and becomes Motown's first No. 1. Soothsaying America's unquenchable lust for inane sequels (see Superbabies: Baby Geniuses 2, Dubya, Metallica's "Unforgiven II"), Berry Gordy slops out the forgettable No. 34 dupe "Twistin' Postman" a few months later. Death of a postman, right? Not quite. While the crudely drawn dude on the cover of the "Twistin'" sleeve just looked like another bald, sweaty envelope pusher dancing his homicidal dreams away, we now know-- thanks to Juelz's current "Postman"-sampling stoogery-- that he wasn't just twistin'. He was fiendin'.

Such predetermined history overcomes Juelz; all he can do is suck (no)homophones dry. Horton's woeful "wait" is now a heavier "weight". But Santana can't turn his "oh" face into brilliance a la "Oh Boy": "What, that (weight)/ Yup, that (weight)/ A!" A sample clearance lawyer stabs his knee with a fork. [Ryan Dombal]